as a resource body protein
From communion with the space that preserves (sacred place of the scene)
The body language is one of oldest artistic expressions, body transformation in space that produces senses, speech, intimidating or impact is at the heart of human communication. Its importance becomes versatile and prolific character that is able to achieve through voluntary circumstances be living there.
body limited by its size and confined to the borders of their material, producing its own volume breaks new sets, new organic systems that speak from a prepared concise subject to metamorphosis.
In this and in no other way the body concentrates a profound energy enabler not only of meanings but of dimensions and forms that enable the display of mental and emotional material.
The body as a direct platform of expression and no longer consolidates the border of the spirit but his freedom. The body as an extension but as a symbol and direct sign of concepts and images, names or situations. I want to go beyond the body is that pod, that receptacle where is the spirit rests and from there it is possible to exist, the identity, but the body becomes not only as a circumstance to maintain the existence and position it to interact with it and modify it in the theater the body will be more than that, it will reveal systems of representation that define it to another place, the place spectacular. The spectacular place where you have to light and creates. Now, the body speaks of something else, and not merely be something that supports the existence but also offers a sense of this existence, consecrating the body as the primary expression of the first stage atmosphere, the body that serves to point out, show and teach the body to see and do-it, the body creates.
space, the occupation that generates a body not established in its form as an architecture that is brought about, can not think of the body as a substance that enables physical being or as the mere physical is a being, its volume or mass. A body is especially sensitive unit that there is not a burden, or imprisonment of a soul or a prisoner of the powers of this, nor is such a machine is above all the ideal object exists.
His power is located on the world body is more, the body makes us the world as possible, have a body that is already having the universe, since he can feel, think, do, his life transcends any principle Philosophically, the body is the universe from where it is, and the body dies, the carcass, the body is nothing, nothing is going to have no body, not to be.
Speaking of the body we also talk about what is possible with him, his physicality is not seated in a disposition of our will but on a voluntary relationship that develops events to exist, the notified body, but also warns experience.
The body is all made possible the cold, love, stillness, the scream, the plot, the dance, the body is protein. The relationship established with the world is based on mimesis and the feeling, the body transmits to us and we bring out to the world, to that extent creditors entity makes us and pushes us to action, then the body feels and shapes, independent or enslaved but on the whole body assumes a search, the body is there to find, is to go to, and that going to focus on the meeting, the body is the body in the sense that it needs more bodies.
The great body, dream body perfect there is the male-female couples. is the union. In the theater as the ideal body then there is always denoted finding that ignition is generated at the junction with the other. Assume it is a body is to assume that there is also another body.
The protein then it is a constant body research, exploration which bases its importance in the condition of its imperfection, it is another thing, he feels, is made, is intended to reach the pair. Women and men are complementary transcendental bodies within of the universe, one thing is the male body that gives a view of the universe, and another who believes the female body.
But before entering the function body to the theater to the theater, you need to talk about really deep aspect of the existence of these two kinds of bodies, bodies exist mainly for us to exist but its purpose is to create, so every body looks, but because you need to create and explore all forms of creation, the largest demonstration elucidated in the generation of another body, the body is immortal.
why marriage is most sacred.
While in the theater can show the dimension of the universe, if we examine it, then as a resource body protein that is installed in order to express. That inside then it is not a scene, a shed or the body itself as the guardian of being, but the sacred in the theater is in communion with the body making the scenic atmosphere. Both the body of the spectator converge toward that Communion as the body of the actor. There is actually a real connotation of the body without creating air that generate spectator and actor. But this atmosphere that comes from her audience and gives meaning to the expression and existence, the dimension from where cobra meaning the body in front of the actor is only possible from the stub value that is given to that atmosphere.
Thus the scenic atmosphere not only protects the body of the actor as a means protein that exists in a dimension that can be seen but also protects the area from where the body also protein, the viewer observes.
imaginary Gauze proposes a kind of boundary between the stage and the hall, there, there is a show guarded, protected by a scenic atmosphere in this sense we can anchor the ideal metaphor for the male body is configured in place opposite, the male body is that body protein that exists and that it can be seen or that goes through the slit towards the female body is the spectator, the union of these bodies create, so the autopsy all scenic atmosphere generated by this union and its result is the viewer's pregnancy, his autopsy is primarily a method of thought which inspects what is carried in, the review itself same to himself as an individual that takes it begins to modify its existence from the body that gives birth to a new self. Since the dissection is discussed that delivery, the body then the viewer, the female body itself viewer looks to give birth, is dissected to create itself.
There is then no contradiction, the autopsy as a practice that is done to the dead but the living makes before birth, the theater then it is a midwife of dreams and stock. Considered by itself is starting to be, is there and this is not achieved without putting the body in search available protein.
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